I made
this tutorial for the Facebook group called Distress ink techniques. Go check
them out, it’s a really nice bunch of people, sharing ideas and work.
I work
on Schut Hotpressed and smooth 140lbs (300grams) watercolour paper.
I pulled
out an array of space like colors: chipped sapphire, faded jeans, twisted
citron, black soot, wilted violet picked raspberry. I had also pulled out
hickory smoke and blueprint sketch, but I didn’t use them.
From the
stains I used twisted citron, wilted
violet, brushed pewter and picket fence (Dylusions).
violet, brushed pewter and picket fence (Dylusions).
I taped
my panel on a small cutting mat, in case I need to move it around.
The
technique is quite simple: you wet a piece of the panel and drop in dots of color,
let the water carry it out and blend it. I start in the middle with the picked
raspberry.
I used a
palette with wells and then swatched the re inkers onto some watercolour paper,
as a blob of re-inker looks much the same as the one next to it.
Just to indentify and remember wich is in wich well. You don’t have to do this. The spray stains I put in little bowls, I don’t have many of the stains, but they work well as watercolours if undiluted, they’re at their best undiluted, so you get the true color, you could put them into water brushes and use them from the water brush.
For the
outside I like to mix chipped sapphire and black soot, a true black space it
too stark in my opinion, also looks flat.
I bring
the black up to the edges of the pink and let the water wick it out.
If the
colours blend on their own they will look better, then when you try to mix with the brush, you also get
mud/brown quicker.
The
wilted violet and the faded jeans mix into a nice deep purple.
Dry
layers in between I used the heat gun and add more layers and details. Once
happy (ish) heat set it.
I
sprinkled with water, in some areas it didn’t lift any color, or barely, but
where it did, it adds dimension and depth, same with the brushed pewter and
picket fence splatter, the white is translucent and adds another layer and
depth. The splatters in front of the nebula and the “blobs” reaching into the
nebula contribute to a see through look, like it’s a proper gas cloud, see the
close ups , it really looks transparent, which of course can’t be, because it’s
on paper ;-)
Heat set
it again and then use fixative spray...
Decorate
with space like vessels and or alien die cuts if you like
Thank you Maaike for an awesome tutorial. I especially liked your tip of putting the Distress Stains in waterbrushes. We are so delighted to have you as a member of the Distress Ink Techniques group!!
ReplyDelete